Two weeks ago, I discussed the change in the attitude of
the left toward military action to advance or protect American interests in the
world. Prior to Vietnam, all the way
back to our nation’s founding, the left was supportive; during and after, the
attitude was negative.
What happened?
The superficial answer is that the World War II
generation was supplanted. But why did
the new generation view American military action differently from predecessors? During the mid to late Sixties, college
campuses across America were sites of anti-war protests, some violent. Surely a catalyst was the fact that the draft
then in effect exposed many to compulsory military service they wished to
avoid. (Bill Clinton, for instance.) So for some, opposition had nothing to do
with opposition to American policy in Indochina but, rather, was motivated by
self-interest.
But there was more.
The spread of mass media in the Sixties gave Hollywood and New York
(long centers of liberal and leftist ideology) opportunities to affect popular
culture which had not previously existed.
[The reason why such cities are centers of leftist
sympathies is a topic for another time.]
Thus, when CBS anchor Walter Cronkite famously intoned on
a nightly broadcast that the Vietnam War was unwinnable, the national consensus
previously backing the war effort collapsed.
Hollywood reinforced the anti-war sentiment with such
films as The Deer Hunter and Apocalypse Now. (Green
Berets, staring John Wayne, premiering in 1968, was an exception to the
anti-war trend).
The hostility to the Vietnam War led not only to a
distrust of the U.S. military but also to a suspicion of U.S. military
intentions in the world more broadly.
Watergate, coming at the tail end of America’s involvement in the
Southeast Asia conflict, heightened opposition to U.S. government activities in
general.
For this generation of liberals, opposition to war
entered the catechism of the left. This
attitude survived the end of the Vietnam conflict.
As time went on, the Sixties generation entered academia,
the general media and Hollywood, reinforcing each other’s anti-war beliefs,
conveying suspicion of American military
efforts wherever contemplated in the world.
As World War II generation cold war liberals such as U.S.
Senators Scoop Jackson and Hubert Humphrey and columnists like Walter Lippmann
passed from the scene, they were replaced by politicians along the lines of
Barack Obama and Hillary Clinton and media types like Paul Krugman of The New York Times.
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